- #Anime cyber girl vocaloid hatsune miku fan art software
- #Anime cyber girl vocaloid hatsune miku fan art series
The creative freedom means people aren’t just fans of Hatsune Miku, but her close collaborators.
#Anime cyber girl vocaloid hatsune miku fan art software
Users could create and publish tracks using the software without having to pay royalties for their original pieces of work. The scope that Hatsune Miku covers was also helped along by the licensing agreement set up by Crypton called MikuP. Japanese video sharing site Nico Nico Douga also grew as the first network for hosting the music.
#Anime cyber girl vocaloid hatsune miku fan art series
Instead of launching their own manga series or clamping down with capitalising licences, a social media network called was founded for the Vocaloid fans to upload the songs they created for the humanoid. Within days of launching in 2007, her developers saw fanpages, tribute art and burgeoning Cosplay communities, people far removed from the electronic musicians they originally targeted. Given no background or story, Hatsune Miku was a blank canvas, presented in the software pack for users to creatively manipulate. Crypton Future Media built upon the anime aesthetic that enticed their fan base, with Miku voiced by anime actress Saki Fujita. 2007 welcomed Hatsune Miku, which translates as “first sound of the future”. First came the brown-haired, red-leather-suited Meiko in 2004, and Kaito was the next level-up in 2006 as the moody artist type in a white trenchcoat. Miku is not the only voice synthesizer with a character, nor is she the first: there’s Megurine Luka, Kagamine Ren, Len, and Kaito, but Miku definitely has the biggest reach. But since there’s such a rich anime culture in Japan, we thought maybe by adding some kind of animated character, we could figure out a whole new way of utilizing Vocaloid technology.” As Crypton CEO Hiroyuki Ito told Geekscape in 2014, “an amateur songwriter, for example, could insert a synthetic voice in his home studio to create a demo recording of a song.
It was initially meant for electronic musicians who weren’t able to access vocalists. Here’s everything you need to know about Hatsune Miku.īack in 2000, Yamaha began developing Vocaloid, a program for vocal synthesizers that would mimic the sounds and intonations of a real human voice. Straddling IRL and URL, Miku inhabits the hyperreal planes we’re just out of reach of, and her setlist questions identity in a technology-focused society, the role of celebrity and the commodification of female bodies. Now, Hatsune Miku: Still Be Here will see the virtual musician take to London’s Barbican stage in collaboration with artist Mari Matsutoya, electronic musician and producer Laurel Halo, choreographer Darren Johnston, visual artist Matin Sulzer, and virtual artist LaTurbo Avedon. Since 2007, users of the Crypton Future Media package have added music videos, hundreds of thousands of songs, and fan art to the iconography of the cyber pop star. She’s a virtual pop princess first birthed by Japanese software developers, who launched a program that allowed users to take Miku – an eternal 16-year-old, with knee-length candy blue pigtails and big anime eyes – and create songs with her as they wished. None, though, are created in the same sense that Hatsune Miku is.
Major pop stars are, arguably, constructs: some moulded in a lab staffed by label bosses and publicists, parts taken from trend sheets and focus groups to be cut for the consumer market. The only thing is, she’s not real – at least, not ‘real’ as we know it.
By all measurements, she’s one of the most important and accomplished figures in popular music. She’s done a spread in Japanese Playboy and gone to space twice. She has over 100,000 songs in her discography and a globe-spanning number one album. She’s sold-out shows across the world, collaborated with Pharrell, and opened for Lady Gaga on her ARTPOP tour. Hatsune Miku has done a lot for a 16-year-old.